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Karate

Early History of Okinawan Karate

Early Okinawan karate, or tode (“China Hand”) as it was called, owes its origin to a mixture of indigenous Okinawan fighting arts and various “foot fighting” systems and empty-hand systems of Southeast Asia and China. Being seafaring people, the Okinawans were in almost constant contact with mainland Asia. It is quite likely that Okinawan seamen visiting foreign ports were impressed with local fighting techniques and incorporated these into their own fighting methods.

Interest in unarmed fighting arts increased during the 14th century when Chuzan King Sho Hashi established his rule over Okinawa and banned all weapons. A more rapid development of tode followed in 1609 when the Satsuma clan of Kyushu, Japan, occupied Okinawa and again banned the possession of weapons. Thus tode or Okinawa-te, as the Satsuma samurai soon called it, became the only means of protection left to the Okinawans. It was this atmosphere that honed the early karate-like arts of Okinawa into a weapon, enabling the island people to conduct a guerrilla-type war with the Japanese samurai that lasted into the late 1800’s.

So tode or Okinawa-te was developed secretly, thus preventing the Japanese from killing the deadly art’s practitioners and teachers. Tode remained underground until the early 1900’s, when it was brought into the Okinawan school system’s physical education program.

Development of Styles and Systems of Karate-do

Chatan Yara was an early Okinawan master of whom some information exists. Some authorities place his birth at about 1670, in the village of Chatan, Okinawa; others place his birth at a much later date. In any case, he contributed much to Okinawa karate. He reportedly studied in China for 20 years. His bo and sai techniques greatly influenced Okinawan kobudo, his Kata, “CHATAN YARA NO SAI,” “CHATAN YARA SHO NO TONFA,” and “CHATAN YARA NO KON” are widely practiced today.

Most modern karate styles can be traced to the famous Satunuku Sakugawa (1733-1857) called “Tode” Sakugawa. Sakugawa first studied under Takabara Peichin of Shuri. Later, Sakugawa went to China to train under the famous Kusanku. Kusanku had been a military attache in Okinawa. When Master Kusanku returned to China, Sakugawa followed and remained in China for six years. In 1762, he returned to Okinawa and introduced his kempo (“fist way”). This resulted in the karate we know today. Sakugawa became a famous samurai and was given the title of Satunuky or Satonushi, titles given to Okinawan warriors for service to the Okinawan King. Sakugawa had many famous students; among them were:

  1. MATSUMURA CHIKATOSINUMJO SOKON
  2. MAKABE SATUNUKU
  3. UKUDA SATUNUKU
  4. MATSUMOTO CHIKUNTONOSHINUNJO
  5. KOJO OF KUMEMURA
  6. YAMAGUCHI OF THE EAST (BUSHI SAKUMOTO)
  7. USUME OF ANDAYS

Sakugawa contributed greatly to Okinawan karate. We honor him today by continuing many of the concepts he introduced. Sakugawa’s greatest contribution was in teaching the great “Bushi” Matsumura Sokon.

More History

Okinawa, the birth place of karate ,has produced many versions or individual styles of its bare-handed fighting art. Some styles evolved from the teachings of different masters, other styles are indicative of a particular town, or villager family tradition handed down from one generation to another. However in terms of the main stream of historical development of karate, there are really only two styles. One style is known as Shuri-Te (Shuri hands) and the other is Naha-Te (Naha hands).

Naha-Te was developed around the principal port city of Naha, a large trade center. This method of Te (empty hand fighting) was perpetuated by Bushi (warrior) Sakiyama (b.1819), Arakaki Kamadeunchu (1840-1920) and Kanryo Higashionna (1851-1915). Naha-Te ultimately became known as Shorei Ryu (inspirational style) and evolved into the Goju Ryu and Uechi Ryu styles of modern karate. The use of soft circlular blocks in Goju and Uechi Ryu make them similar although Uechi Ryu Shows a much stronger Chinese influence.

Shuri-Te, on the other hand, was a style that developed mainly in the ancient city of Shuri, the ancient capital of Okinawa. This is where the king and members of the nobility lived. Actually another style known as Tomari-Tewas a closely related system and was considered to be an off shoot of Shuri-Te. Tomari-Te was practiced in TomariVillage. This village was located close to Shuri and was populated mostly by farmers and fishermen. Tomari-Te eventually blended back into Shuri-Te. Ultimately Shuri-Te developed into Shorin Ryu (Young Forest Style). Of the two styles of Okinawan Karate, it should be noted that the Shuri-Te system is characterized by speedy movements rather than the more forceful movements of the Naha-Te system. Shuri-Te was a more offensive style while Naha-Te was a more defensive one. The differences of style are really only surface differences as both styles are derived from similar Chinese martial traditions. Naha-Te seems to have more of the soft-techniques and emphasis on breathing and control of Ki (intrinsic energy) influenced by Taoist philosophy. While Shuri-Te appears to be derived from the Shaolin Kenpo Style. The Shuri-Te style was practiced by the samurai of the court at Shuri Castle. The original Shuri-Te and its evolved counterpart Shorin Ryu traces its history back over two hundred years in Okinawa.

Shinjo Choken is a “Dai Jo” or an important figure in Shorin Ryu’s history. He is one of the earliest known practitioners of Shuri-Te. He was active in the late 1600’s and early 1700’s. It has been handed down that after Shinjo Choken another martial artist by the name of Tode Sakugawa (1733-1815) became prominent in Okinawa. In fact, he is considered to be the first true teacher of Okinawan Karate. Sakugawa’s martial art was a mixture of Shuri-Te and Chinese Kenpo. In 1756, Sakugawa became a student of the Chinese military envoy Kusanku (also Kushanku). Kusanku was a highly skilled Kenpo master and famous for his fighting ability. Kusanku did many things which influenced Shuri-Te’s and ultimately Shorin-Ryu’s development. He taught many native Okinawans including Chatan Yara and Shionja of Shuri. He brought some of his students from China to Okinawa and they spread the Chinese style on Okinawa. In addition, it is reported that Kusanku introduced a maneuver whereby the closed fist was held in a chambered or ready position along the side of the torso (hikite)and then from this position a punch was thrown, corkscrewing it in karate fashion, toward the intended target. Kusanku is also credited with the introduction of a type of kumite or sparring to Okinawan karate. This kumite was referred to as Kumiai Jutsu or fighting technique.

After his training with Kusanku, Sakugawa became known as an expert in the Chinese style of fighting called Tode. This is the basis for his nickname Tode (Chinese hand) Sakugawa. He is credited with being the first Okinawan Karate teacher. The reasoning behind this is that Sakugawa is said to have combined the techniques of Chinese style Kenpo (Tode) with the native Okinawan techniques of Shuri-Te and thereby formed the basis of a truly Okinawan Karate. He has three students who distinguished themselves as excellent martial artists. They were Bushi Ukuda, Macabe Chokun and Bushi Matsumoto of Urazoe. However his last and most famous student was Bushi Matsumura (1797-1889).

Shorin-Ryu Karate

Shorin-ryu is the Japanese pronunciation of the Chinese characters pronounced “Shaolin” in Mandarin-Chinese.

Shorin/Shaolin means “small forest”; “ryu” simply means “methods handed own,” “methods of learning” such as those of a school, or “tradition.”

Shorin-Ryu Karate-Do Lineage*

Tode Sakugawa (1733-1815) became a prominent figure in Okinawan Martial Arts. In fact, he is considered to be the first true teacher of Okinawan Karate. Sakugawa’s martial art was a mixture of Shuri-Te and Chinese Kenpo. In 1756, Sakugawa became a student of the Chinese military envoy Kusanku (also Kushanku). Kusanku was a highly skilled Kenpo master and famous for his fighting ability. Kusanku did many things which influenced Shuri-Te’s and ultimately Shorin-Ryu’s development. He taught many native Okinawans including Chatan Yara and Shionja of Shuri. He brought some of his students from China to Okinawa and they spread the Chinese style on Okinawa. In addition, it is reported that Kusanku introduced a maneuver whereby the closed fist was held in a chambered or ready position along the side of the torso (hikite)and then from this position a punch was thrown, corkscrewing it in karate fashion, toward the intended target. Kusanku is also credited with the introduction of a type of kumite or sparring to Okinawan karate. This kumite was referred to as Kumiai Jutsu or fighting technique.

After his training with Kusanku, Sakugawa became known as an expert in the Chinese style of fighting called Tode. This is the basis for his nickname Tode (Chinese hand) Sakugawa. He is credited with being the first Okinawan Karate teacher. The reasoning behind this is that Sakugawa is said to have combined the techniques of Chinese style Kenpo (Tode) with the native Okinawan techniques of Shuri-Te and thereby formed the basis of a truly Okinawan Karate. He has three students who distinguished themselves as excellent martial artists. They were Bushi Ukuda, Macabe Chokun and Bushi Matsumoto of Urazoe. However his last and most famous student was Bushi Matsumura.

Bushi Matsumura (1797-1889) studied under Sakugawa for four years. He rapidly developed into a warrior. He was recruited into the service of the Sho family and was given the title Satunuky, later rising to Chikutoshi. At some time during his career, Bushi Matsumura was sent to China to train in the famous Shorinji (Shaolin Temple). He is alleged to have remained in China for many years. Upon his return to Okinawa, Matsumura established the Shuri-te or Suidi (“Shuri Hand”) that later became known as Shorin-ryu. He brought the White Crane (Hakutsuru) concept to Okinawa. He passed on his menkyo kaiden (certificate of full proficiency) to his grandson, Nabe Matsumura.

Nabe Matsumura brought the old Shorin-ryu secrets into the modern age. His name does not appear in many karate lineage charts According to Hohan Soken (1889-1982), the purest teaching of Matsumura’s Shorin Ryu was carried on by Matsumura Nabi(c.1860-1930). He received training in the family style of Matsumura Shorin Ryu which also included the secret techniques of the white crane. The white crane system was reputed to be a secret family style that was only taught to immediate family members. In his later years, Nabe Matsumura was referred to as Nabe Tanme or “old man” Nabe. He was known to be a stern and disciplined teacher. He had only one student, Hohan Soken. It is said he was one of the top karate men of his time. He passed on his menkyo kaiden to his nephew, Hohan Soken

Hohan Soken. The next successor in the lineage of Matsumura Shorin Ryu was Hohan Soken(1889-1982). He began training at age thirteen under his uncle, Nabe Matsumura. Soken had to work in the fields as a youth in spite of his Samurai heritage. This was due to a political reorganization in the Ryukyu Islands and all of Japan as a result of the Meiji restoration. After ten years of basic training under Nabe Matsumura, Soken began learning the techniques of the white crane or Hakutsuru. This was in 1912 when he was twenty-three years old. According to Soken, this was a secret technique or training methodology which was confined to the Matsumura family. Bushi Matsumura had learned the white crane system in China. Soken’s instruction in the white crane technique emphasized balance training. One training method that he practiced was to perform the Hakutsuru kata on a board floating in a pond. The board was just large enough to support his weight. The Hakutsuru kata, which was erroneously referred to as the “White Swan” technique in a 1967 magazine article is the advanced level of Matsumura Shorin Ryu. The Hakutsuru technique is the main part of the style. It manifests the Chinese concept of the soft (defensive) fist and balance training while imitating the delicate movements of the white crane. In fact, this concept is inherent and woven throughout all the kata of Matsumura Shorin Ryu. For example, Chinto uses the one legged stance of the crane extensively, Gojushiho uses the movements of the neck and beak of the crane in its technique and Hakutsuru uses the wing (hane) of the crane. Master Soken also trained for a while with Kenwa Mabuni (1889-1953) and Gokenki, a Chinese tea merchant living in Okinawa. Gokenki, Soken, Mabuni and several other Okinawans all trained together as a group. Gokenki’s style was Hakutsuru Kenpo (white crane fist style) and he was from the Fukien coast of China.

Up until the 1950’s Master Soken referred to his martial art as Matsumura Shuri-Te, then he began calling his style Matsumura Seito(orthodox) Shorin Ryu. The empty hand kata of the style included those passed on by Bushi Matsumura (as previously noted). However, Master Soken later added to his system’s repertoire Rohai 1, 2 & 3. Rohai means vision of a crane and was originally a Tomari-Te kata dating back to the 1600’s. Hohan Soken was a highly respected master in Okinawa.

He helped pass on the legacy of Matsumura Shorin Ryu. Perhaps his life is reflected best in his own words – his death poem:

“I have taught you all I know. There is no more I can teach you. I am a candle whose light has traveled far. You are my candles to whom I have passed on my light. It is you who will light the path for others. Today I see around me the lights of Shaolin. The flame of tomorrow. My task is done, soon my flame will end. Teach the true spirit of karate-do and one day you may enter the Temple of Shaolin”.

Hohan Soken’s light was most certainly passed on to a candle to help light the way for others. Hohan Soken gave his Menkyo Kaiden to Fusei Kise prior to his death. The legacy of Matsumura Shorin Ryu continues with Hanshi Fusei Kise.

Master Fusei Kise was born on May 4, 1935. He began his study of Karate in 1947 from his Uncle Master Makabe. In 1955 Master Kise became a student of Master Nobutake Shingake and recieved his Shodan. In 1958 Master Kise began studying under Grandmaster Hohan Soken, the third successor of Shorin Ryu Matsumura Seito Karate-Do. In 1960 he was a student of Grandmaster Shigeru Nakamura, Okinawan Kenpo Karate-Do Federation and qualified for his 7th Degree Black Belt. After five years of training, Master Kise became a Shihan or Master on January 1, 1965 when he passed the 7th Dan examination under Grandmaster Shigeru Nakamura. At that time Master Kise taught and practiced Shorinji-ryu Karate-Do. Also during this time he was studying Shorin Ryu under Grandmaster Hohan Soken. On January 1, 1967 Master Kise switched completely over to the Shorin Ryu Matsumura Seito (Orthodox Karate- Do). On January 3, 1972 Master Kise qualified for the Hanshi title by passing the 8th Dan examination held by Grandmaster Hohan Soken and Master Makabe. Sep 1st 1976 Hanshi Kise qualified for his 9th Dan by Grandmaster Hohan Soken. In 1977 Hanshi Kise founded the Shorin Ryu Kenshin Kan Karate and Kobudo Federation. On Oct 25 1987 Hanshi Kise was promoted to 10th Dan by Master Shigaru Tamaiya.

In 2001 the Government of Japan gave there Seal of Approval to the accuracy of Master Kise’s book. They have stated that he (Grandmaster Kise ) is the sole true heir to Matsumura Orthodox Karate, being passed down to him from Hohan Sensei. This has been entered into the official Government Archives. This means there can be no more disputing the Lineage of Matsumura Orthodox Karate. It belongs to Grandmaster Kise.

In April of 2001 Grandmaster Kise was selected by the Japanese Parliament to receive a prestigious Lifetime Achievement award. He met with senators, other dignitaries and with the other Karate Grandmasters who also received awards (4 or 5 other Grandmasters from Okinawa) at a luncheon in Naha.

In April of 2001 Grandmaster Kise renamed the Federation to Okinawa Shorin Ryu Matsumura Seito Federation.

*Lineage and history gathered from various sources and is believed to be correct